Thank you very much to all for your valuable encouragement. In this blog i am trying to explore Indian Heritage and Culture in various aspects by using the images from my own collection and also from other people collection with their kind permission. If any person or organization think that some of the images which i am using in my blog are relating to their own property and copyright then i request them to intimate me and i remove them immediately from my blog.
Monday, 25 December 2017
Saturday, 9 December 2017
Saturday, 25 November 2017
Sunday, 29 October 2017
Postcards albums with vintage postcards etc. in my collection
These are my postcards albums. I have a total of 9 postcards
albums and in these three different vintage postcards albums, one Raja Ravi
Varma paintings replicas vintage art postcards and other artists art postcards
album, one Maharajas of India postcards album, two albums of postcards of
several heritage monuments printed by Archeaological Survey of India and in
other albums have photographs of Indian Museum, Kolkata postcards etc.
Sunday, 24 September 2017
Monday, 7 August 2017
Krishnanagar Clay Lantern in my collection
This is "Krishnanagar Clay Lantern" in my collection. Krishnanagar
Clay Work Artisans from West Bengal created this intricate clay lantern.
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Ghurni (Bengali: ঘূর্ণি) is a neighbourhood of Krishnanagar in Nadia district in the Indian state of West Bengal. It is the centre for the production of clay dolls, often referred to as Krishnanagar clay dolls.
History
The old name of Krishnanagar was Rewe. In the early 17th century Bhabananda Majumdar founded the royal family of Nadia. Later, Maharaja Rudra changed the name to Krishnagar. In 1757, Maharaja Krishnachandra (1710–1783) helped the British East India Company against Siraj ud-Daulah in the Battle of Plassey. He was a patron of the arts, including literature and music, and supported the production of clay dolls. In 1728 he brought families of potters from Dhaka and Natore and settled them in Ghurni, then a village.
Clay dolls
In an article, the Bangalore-based newspaper Deccan Herald writes, “We have clay dolls, toys and even clay sculptures in different parts of India. But there has been nothing to match the clay doll artisans of Krishnanagar in the Nadia district of West Bengal. The creations of these artists are displayed in most of the handicraft museums of the world. In India, we have a large display of these dolls in the Shankar’s Doll Museum in New Delhi. One look at the clay dolls and we are amazed at the reality with which the artist has displayed the character of the model. A horse rearing to gallop to a placid dog licking its lips after a hearty feed.”
Krishnanagar clay dolls are unique in their realism and the quality of their finish, ‘...they truly represent a breakaway from the traditional form. Fruits, fish, insects, animals, birds, and of course the entire pantheon of gods and goddesses, and even the ubiquitous Donald Duck and other popular comic strip characters, faithful copies of real-life, down to the minutest detail. Realistic recreations of everyday life, work, mood and character- farmers, weavers, rag pickers, basket makers, umbrella makers - are yet other specialties of Krishnanagar dolls.’
Exhibitions of Krishnagar dolls have been held in London, Paris and Boston. Ghurni clay models have won medals and certificates at international exhibitions.
Changing times
The clay modellers of Ghurni have fallen on bad days. The decline of feudal zemindari culture and loss of their patronage have adversely affected them. They are finding new patrons amongst NRIs, many of whom are acquiring clay models in large numbers.
The number of master craftsmen is decreasing as members of the younger generation are switching over to more lucrative trades or more paying professions. In 2007, the number of master craftsmen staying at Ghurni dwindled to 10, most of them aged.
The above information on Krishnanagar Clay work artisans is taken From Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Ghurni
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Ghurni (Bengali: ঘূর্ণি) is a neighbourhood of Krishnanagar in Nadia district in the Indian state of West Bengal. It is the centre for the production of clay dolls, often referred to as Krishnanagar clay dolls.
History
The old name of Krishnanagar was Rewe. In the early 17th century Bhabananda Majumdar founded the royal family of Nadia. Later, Maharaja Rudra changed the name to Krishnagar. In 1757, Maharaja Krishnachandra (1710–1783) helped the British East India Company against Siraj ud-Daulah in the Battle of Plassey. He was a patron of the arts, including literature and music, and supported the production of clay dolls. In 1728 he brought families of potters from Dhaka and Natore and settled them in Ghurni, then a village.
Clay dolls
In an article, the Bangalore-based newspaper Deccan Herald writes, “We have clay dolls, toys and even clay sculptures in different parts of India. But there has been nothing to match the clay doll artisans of Krishnanagar in the Nadia district of West Bengal. The creations of these artists are displayed in most of the handicraft museums of the world. In India, we have a large display of these dolls in the Shankar’s Doll Museum in New Delhi. One look at the clay dolls and we are amazed at the reality with which the artist has displayed the character of the model. A horse rearing to gallop to a placid dog licking its lips after a hearty feed.”
Krishnanagar clay dolls are unique in their realism and the quality of their finish, ‘...they truly represent a breakaway from the traditional form. Fruits, fish, insects, animals, birds, and of course the entire pantheon of gods and goddesses, and even the ubiquitous Donald Duck and other popular comic strip characters, faithful copies of real-life, down to the minutest detail. Realistic recreations of everyday life, work, mood and character- farmers, weavers, rag pickers, basket makers, umbrella makers - are yet other specialties of Krishnanagar dolls.’
Exhibitions of Krishnagar dolls have been held in London, Paris and Boston. Ghurni clay models have won medals and certificates at international exhibitions.
Changing times
The clay modellers of Ghurni have fallen on bad days. The decline of feudal zemindari culture and loss of their patronage have adversely affected them. They are finding new patrons amongst NRIs, many of whom are acquiring clay models in large numbers.
The number of master craftsmen is decreasing as members of the younger generation are switching over to more lucrative trades or more paying professions. In 2007, the number of master craftsmen staying at Ghurni dwindled to 10, most of them aged.
The above information on Krishnanagar Clay work artisans is taken From Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Ghurni